No Mercy: For Lorne Hope

Created by Multivarious

Sacrifice is necessary, Mercy is not.

Latest Updates from Our Project:

Announcing No Mercy Wednesdays!
about 2 months ago – Wed, Apr 08, 2020 at 03:34:56 PM

Hey everyone! 

In the midst of these chaotic times we hope you all are doing well and staying safe. Our office has moved to working from home and we’re all healthy and bunkered down. Since we survive mostly on client work, solid game dev time can be hard to find nowadays, but hopefully soon we’ll have some new content to show off! The life of a small indie company is an unpredictable one, and we thank you guys for sticking with us and look forward to sharing the world of No Mercy with you.

However, we've decided as a team, that we're going to make sure that No Mercy stays a focus during this client rush. So we've started No Mercy Wednesdays, a day that the whole studio focuses only on No Mercy! It's not going to give us the momentum we have when we all can work on the project full time together, but it's really helping keep our team's morale boosted, while also getting a chance to work on the game when we traditionally can't!

Along those lines, while we're all stuck inside, why not be stuck inside together? Starting tomorrow, we'll be hanging out in our Discord Server from 5pm-6pm EST every Wednesday to celebrate No Mercy Wednesday. We'll be answering your questions about the project, chat about games, or just relax at the end of our workday! We're hoping to make this a weekly thing that we do, and we're even talking about eventually doing cool community nights involving Animal Crossing, Jackbox, or anything else fun that we can do to hang with you all! So come join us for our first ever No Mercy Wednesday, and hopefully this will become an awesome way to stay in touch with you all!

Come Hang Out With Us for No Mercy Wednesdays!

Finally here’s a peek at some Lorne concept art! -Katie

A Brief Intermission: Global Game Jam 2020
4 months ago – Wed, Feb 19, 2020 at 06:58:34 PM

Hello to our friends, backers, and all other beautiful gamers out there in the wild!

We've been hard at work, as usual, with all kinds of things since the last time we posted an update. No Mercy (our game!), client work (also known as staying alive as a company until our game is released!), our annual expo GDEX (please come!), and staying sane and healthy as individuals... every one of these things fall into our bucket of interests and initiatives.

On the weekend of Feb 1st, we took an opportunity to briefly step back from all the irons we have in so many fires. It was a break of sorts, but one that we worked incredibly hard through. You could call it a professional reset, or an exercise in project management, or even running some diagnostics on ourselves as a team. However you define it, Global Game Jam 2020 was a very rewarding and fulfilling experience, albeit one that necessitated some recovery time for us!

Mystical Gem of Sustainability and Mental Health

If you're not sure what a game jam is, it's sort of like a games-focused hackathon. This particular one was a 48-hour event, starting on Friday night with the release of the theme that all jam-games must incorporate. This year, the theme was Repair. Teams around the world came together, or spontaneously formed on-site, and set to work coming up with as full of a game experience as possible built around that theme. Games were due late-afternoon Sunday. Everything in-between was a beautiful, chaotic mess of planning and execution.


We had the privilege of hosting a jam-site at our own office building. This meant we had all of the creature-comforts we are used to in our typical day-to-day work-life, but also meant that we were the go-to people whenever anyone on any other team had a facilities-related question or concern, and we had to make sure that everyone was OK and (ideally) enjoying themselves. Fortunately, we were able to balance these additional responsibilities and still create a game that we are really into on a personal level.

This is only about half of the total working space

Our process for the creation of this jam-game followed a pretty basic Multivarious project-planning template. The very first thing we did was walk over to a nearby restaurant-bar and order some food and drinks while we chatted about the theme and our ideas. We decided pretty early on that it would be very neat if this little game could somehow be a part of the world or history of the main No Mercy title.

planning session of doom

We brainstormed some ideas, and decided that based on the skillsets we had on-hand, a 2D side-scrolling puzzle-platformer was one of the most-viable game formats. We came up with some individual game mechanic ideas and did our best to judge how much effort each one would take, which resulted in a lot of ideas littering the cutting-room floor. Eventually, we settled on the basic outline we would go with: You play as the baby-form of the forest spirit Ray, and attempt to help the forest grow as you solve platforming puzzles and make your way to one of the shrines at the heart of the area.

Concept Version 1
Execution Version 1

This immediately gave everyone a lot of things to do... but being a healthy and responsible game-development team, we decided to call it a night and get some sleep after setting up the basic project outline in Unity and decide on some specific technologies. We left at the semi-quasi-reasonable hour of 1:30 AM... although many other jammers were prepared to stay in for the long-haul, with sleeping bags and air mattresses a fairly common sight around our office floors.

Room of Slumbering

As a side-note, Game Jams are a great excuse to teach yourself about new tools and techniques, especially if you are comfortable with the main substance of game development. We decided to try out some new-ish Unity features, such as Collaborate for fast in-editor source control, Cinemachine for camera rigs so simple that even Cody can set them up (Sorry Cody! That's the only joke I'm gonna make, I swear!), and the new cross-platform Unity InputSystem (which is still in pre-release, but has a lot of very interesting capabilities).

Cinemachine Camera Rig

Saturday was such a blur. Katie whipped out TONS of great environment art, I blocked out the majority of the character-control logic and game-interactions (things like one-way platforms and growable plants), and Cody put on a Level Designer hat and synthesized our efforts into playable levels. Throughout the weekend, Katie was also streaming via her Twitch account Elentori, broadcasting our whole office over her webcam, which led to plenty of fun moments and little jokes.

Definitely no secret easter eggs here

We decided around midway through the day that we wanted a puzzle-system based around reflecting beams of light and shining light on plants to grow them and create new paths. This was mostly an extension of the existing systems we had created (Baby Ray just needed to detect and redirect light, and our growable plants needed to use light as a prerequisite for growth) but was quite challenging to implement in a hurry, midway through the process. By the end of the day, our light beams ended up being simple sprites with some trigger-detection logic. But, they worked, and looked good. We fleshed out the level and left to get some sleep.

The core mechanic

Sunday was the day for final touches, but for me it was entirely devoted to implementing a last-minute feature: reflecting and bouncing our simple sprite-light system across multiple arbitrary objects. This resulted in a rather frantic hacking session on my part. I wrote a system that would raycast to detect geometry to reflect off of, and create duplicates of the existing light-rays at those points. It was a BEAST of a script... and I would write it very differently now.

"Duct Tape And Prayer" Game Design Methodology

To give an idea of how close we were with our feature-set: our jam site ran presentations of all of our games a couple of hours before the online submission due date. We were not able to get bouncing, reflecting light implemented in time for the presentation, so we hacked the level to let you simply walk over the final water hazard. But, we WERE able to get this light-bouncing working in a rudimentary fashion in time for the game upload. (It's not pretty. But it works. Which is basically the slogan for every game jam game ever made.)

It can be a little pretty, at least

In the end, after a pretty-grueling 48 hours, we ended up with a cute little child-friendly, good-looking game which also acts as a sort of prequel to No Mercy: For Lorne Hope. We are quite proud of it, and got some great feedback from the other jammers! I think I can speak for the rest of the team when I say that we really fell in love with (Sweet) Baby Ray and the challenges they face as an embryonic forest spirit.

Extreme Challenges Abound

If you want to play our game, Baby Ray and the Holy Grog, in its current state, you can download it for PC, Mac and Linux here:  Baby Ray and the Holy Grog GGJ 2020 Page 

Please also check out the other games that our friends made at our office! The full list of Central Ohio Gamedev Group GGJ 2020 games can be found here:  Central Ohio Gamedev Group GGJ 2020 Page 

Of course, you can also browse the Global Game Jam website and play games made all around the world!

Our plans from here are to get back on the No Mercy and client work grind with renewed vigor and optimism... But, this jam experience has left us with an itch to flesh this little game out some more. Right now, you can play and beat it in around a minute if you know what you're doing. We also were unable to get some of our basic ideas implemented in time. So, this project is something we would like to put some more time into.

A small step towards greater things!

Obviously, the scope of Baby Ray and the Holy Grog is vastly, enormously smaller than No Mercy itself, and we do not intend nor want for it to take precious time away from finishing our actual game. But we also feel that it can be a worthy supplemental experience in its own right without very much more effort on our part. We aren't sure precisely what we want to do with it in the end, but we would love for it to stand alongside the main game as an aesthetically-pleasing piece of lore, or a more child-friendly alternative to the violence and themes of death of No Mercy. Perhaps we can use it as an impromptu backer-reward? Is a small side-game a better reward than a lore-comic? We aren't entirely sure, but this is what we're currently working through, and we would love to hear what you think.

We are really grateful to have the opportunity to do what we love every day. We are truly thankful to have so many supportive people who are waiting with bated breath for us to release our game! I hope this write-up has been entertaining or insightful. We are definitely planning to provide more insight into the development process of No Mercy in the future, so for anyone wondering about where it's at or how it's going, please be assuaged. We are fully devoted to completing our game and honoring all of the support of our backers!

We only occasionally turn our backs to our backers

Game development is a uniquely human challenge. We need time and space to breathe, to analyze our own processes, and to iterate upon our own ideas and existing implementations. Checking up on ourselves as individuals and as a team, getting a feel for where we are mentally and emotionally, making sure that we aren't burning ourselves out or sacrificing game quality for no good reason... These are all things we need to do to ensure that we will be right here making games and creative technology into the foreseeable future. We appreciate the gravity of the position we're in, and are looking forward to bringing all of you with us through our current and future endeavors.

you + me + us = we

Thank you so much for being here!

- Tom

you're winner!

Happy Holidays From The CEO
6 months ago – Fri, Dec 20, 2019 at 06:41:51 PM

Happy Holidays Everyone!

I know some of you know who I am, but most of you do not. My name is Chris Volpe, and I’m the President and CEO of Multivarious. It’s been a long time since I’ve given any kind of update, so I wanted to take a moment as the year wraps up to give you some info about who MVG is, where we’ve been, and where we’re going in 2020.

When I co-founded Multivarious many years ago, I wanted to create a studio that could support our local game development community and help others bring their visions to life. Back in 2012 we decided to really put in time and effort to grow the business and began working on our own project, Hatch-It!. We expanded our community efforts, cut down on additional projects we were involved in, and even started making use of our new office. Multivarious started to be the commercialization business for projects from the community. In 2014 I left my job at The Ohio State University and began working full-time at Multivarious. I was determined to make it the best game studio in the region. Several years later we start work on No Mercy: For Lorne Hope

No Mercy is a project of love, and since our Kickstarter we’ve been trying to work on it every moment we can, but unfortunately we can’t devote full time effort to it. MVG is able to live day to day through our work with clients and our expo GDEX ( We work with lots of cool companies to create interactive apps and experiences, websites, as well as games. We do a lot of work in healthcare and education, and we have the privilege of working with some of the biggest and coolest brands making great products that help people. But the result of that is that we don’t always get to spend as much time on No Mercy as we would like. In particular, this year as we had an offsite client project that took nearly 5 months of the team working on it. But I am happy to announce that for the past 6 weeks we have been full time, heads down on No Mercy. And even more awesomer...


Since 2014 we have pushed hard to create a gaming industry in Columbus and we’ve been pushing to show the power of games to the City and other organizations. As you may imagine to say it has been an uphill battle, but in 2019 we formed a partnership with LOUD Capital which includes a financial investment in Multivarious. Through this investment we will be able to start building out the foundation of our larger plans around creating a Center of Industry for Gaming and Esports, as well as provide us with more opportunity to have more focused work on No Mercy. In combination with other opportunities we are working on for 2020, I hope that will allow us to increase our ability to work on the game at a good clip.

I know this was a lot of info, and to be honest I could probably have written several more pages, but I wanted to give you a good sense of who Multivarious is and where we’re going, as well as to assure you that we are excited to keep working on No Mercy to make it as great as possible. I also would like to personally thank everyone for supporting us over the years, as well as for your patience and understanding as we work towards completing the game. I know it’s a lot to ask, but I know that by taking our time and focusing on development we’ll be able to ship a great game to you all. Trust me, it’s taken longer than we on the team wanted as well, but we’ll get there!

I hope you all have a great Holiday and we’ll see you in 2020!

Chris & The MVG Team

Baby We're Back
7 months ago – Fri, Nov 08, 2019 at 08:14:35 PM

Hey All!

It's been a bit! We've had a crazy year, which has been great for our studio, but has also meant that we also haven't had much time to work on No Mercy. However, we're happy to report that our core team is back and working on No Mercy as a primary project for the foreseeable future! We've spent the last two weeks shaking the cobwebs out of the project and starting to make some meaningful upgrades. So let's take a second, and talk about where we're at!

So most of you have already played our original Kickstarter Demo by now, and while we're still super proud of that demo, it only really showcases the basic combat of the game. Therefore, I'm super happy to announce that we're working on a brand new demo for No Mercy! As opposed to our Kickstarter Demo, which was created just for Kickstarter as a proof of concept, the new demo is being taken directly from the full game. This will allow us to showcase a lot more of the final game's tone, mechanics, and gameplay. While we're still in the prototype phases of this demo, we wanted to share a few screenshots of the new areas you'll be able to explore.

Our Whitebox Terrain gives us pixel counts so we can better create the bounds of the levels and make sure you (hopefully) don't fall through!

You may have noticed that these levels are looking a little rough around the edges. This is our prototyping stages! Essentially, we don't want to waste a lot of time creating visuals and designs for levels that just aren't fun, so instead we create quick visual passes with assets we already have (or rip from Google Image Search) that get the rough idea of the level expressed without wasting our limited resources. Then  we start to layout obstacles and enemies to make sure that it's fun to traverse and explore. Once it passes this finally test, we cement the design and then really flesh out the art and backgrounds to the level that you've seen in our final demos!

Prototype Art is typically not meant to be released. Therefore a lot of devs will use quick reference images to get a rough idea across before devoting the time to create assets

So that's just a quick run through of how we've been building out the world of No Mercy. We're super excited to talk more to you about some of our processes in creating this demo and the game as a whole in our future updates, so stay tuned!

Before I go, our very own KevinBot, from our Discord Server (wink wink), wanted me to remind you all to make sure that you update your shipping address in BackerKit, if you've moved since the project was funded. I'm not really sure what he has planned, but you should probably do it by November 22nd... ya know, just to be safe. Just use your email that you used in the Kickstarter, and double check that everything is right, particularly before November 22nd. Am I being subtle enough? (November 22nd)

So I think that's everything! We're so excited to get back on track with the project, and really showing you what we think the next evolution of Brawlers can be! We appreciate you all sticking with us throughout this journey and we can never express how much your support means to us (until the game comes out at least!).

More to come soon!

-Cody and the MVG Team

Making a Monster
over 1 year ago – Wed, Feb 06, 2019 at 10:41:44 PM

Hey All!

We’re hard at work on getting No Mercy off the ground, but we owe all of you an update on where we are! Before we get too deep into this update, we’ve replaced our Tumblr with Instagram! If you want a few more updates, particularly on the art side, check that out now!

This month, I’m going to try something new. We’re going to focus in on one aspect of the game that we’ve been working on. This way we can really go into our process, showcasing some of the cooler features, and not feeling like we have to sit on a lot of things before providing a beefier update once every quarter (if that...). With that being said, let’s talk about some new enemy designs and how we go about designing them!

A concept piece of the first major boss of the game
A concept piece of the first major boss of the game

As we’ve finalized our final story arc and mission list for the game, we started to sit down and think about some of the final enemy designs that we’ve wanted into No Mercy. We then looked through what interesting ideas can we pull from what our story team has written about the world, what interesting things we can come up with from a Gameplay or Art perspective, and, if I’m being 100% honest, which puns we can create for enemies.

My I present concepts for "Book Bindings" "Sentrees" and the "Meowl"
My I present concepts for "Book Bindings" "Sentrees" and the "Meowl"

As we design our enemies, we try to think about some lessons that they can teach to the player. These lessons can range from “Enemies can Fly” to “Ranged Attacks are More Effective.” We then take all of these lessons, and try to combine them into whatever final battle the player will face at the end of the missions. Since we are designing our Levels and enemies in a horizontal fashion (i.e. from start to end) we can then expand upon these lessons with more and more complex enemies and bosses.

Cody's concept of the first boss of the game. Luckily Laura Lee added the eyebrows to make it more "menacing"
Cody's concept of the first boss of the game. Luckily Laura Lee added the eyebrows to make it more "menacing"

Once we have these rough designs figured out, our design team (typically me!) goes in and creates a “Character Sheet” of the enemy. This sheet will eventually hold any lore/background/concepts/AI Trees, but for now it just has a basic moveset with some flavor text for our art team to make animations off of. Meanwhile, our Concept Artist goes in and create a bunch of interesting ideas about what this creature will look like. Sometimes we already have inspirations for the story team (such as our Village Bird Monster Below) and other times we’re creating rough ideas during the game design sessions (See my sketch above!). Then, when the concepts and character sheet are finalized, they get sent to our 3D team to create the final models and animations for the game!

The Village Bird Boss. The writing team had an idea for a monster inspired by the "Baba Yaga"
The Village Bird Boss. The writing team had an idea for a monster inspired by the "Baba Yaga"

That takes us to where we are now with our first new set of enemies, Whiteboxing! Modeling and animation is a crazy process of its own, so while our Art team is deep into that, our Tom (our programmer) and I start diving in and creating a very basic version of the enemy to tweak gameplay settings and try out our designs. Currently, Tom creates a rough version of the enemy implemented, and then I’ll jump in and tweak it until it’s a fun boss to fight. Then finally, once we get the actual models into the game, we can just tweak our current whitebox to match the new model, and we have an almost finished enemy into the game! 

Tom's take on the Meowl. This is his whitebox animation for it's "Feather Shot" attack
Tom's take on the Meowl. This is his whitebox animation for it's "Feather Shot" attack

While this process turns into a giant cycle of AI Creation, Testing, and Revisions, that is the rough of how we approach creating some of the enemies that you will be fighting throughout the game! We’re just getting started in this process, so I’m sure there will be plenty of changes as we get more and more advanced with our enemies.

So that’s a wrap! Let me know what you think about this new approach to Updates in the comments below! As we get further into implementation, we’ll have more and more to showcase, and the game will start to shape up into the final vision that we have, making these updates even more frequent and (in my opinion) more pretty to look at.

Turnarounds of the Village Bird. Our 3D Team uses these sketches to create their models.
Turnarounds of the Village Bird. Our 3D Team uses these sketches to create their models.

Until then, we can’t express how much we appreciate all of your continued support on the project! Make sure that you hit us up with any Fanart/Cosplay you do around the game. It keeps us fueled in the studio, and we also started creating Instagram Stories with the content that gets sent our way! As always, you can interact with us on our Discord Channel, where Tom likes to dive a little deeper into the daily work of development. Otherwise, we’ll chat with you next month when we go a little bit deeper into our overall Whiteboxing process, and start to show a little behind the curtain about our approach to level/mission design!

Thank you so much for being involved in No Mercy!